I debated working in black and white, which is so jealously guarded by photography, but then I thought, photographs are irrevocably entangled with the digital image anyway. All pixels are protean now.

“The Collapse of Memory” is slightly smaller than what I normally work with (its right size), but “Hard to Imagine” is unusually large. I haven’t fully reckoned with the fact that I don’t have room for all these pieces.

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